Lake in the Jasper National Park, Canada

PD Photo: scenery from Jasper National Park, Canada, wallpaper image size 1024x768

Jasper, the commercial centre of Jasper National Park which is located in the Canadian Rockies, is in western Alberta, Canada. The park is in the Canadian segment of the North American Rocky Mountain ranges. Located in in the Athabasca River valley, Jasper is 362 kilometers west of Edmonton and 290 kilometers north of Banff, Alberta.

Jasper National Park is a UNESCO World Heritage Site along with the other national and provincial parks of the Canadian Rocky Mountain Parks. It is a cogglomeration of typical mountain landscapes consisting of mountain peaks, limestone caves, canyons, waterfalls, glaciers, lakes and other breathtaking toursit attractions.

One of the most visited tourist attractions in the Jasper National Park is Mount Edith Cavell in the Athabasca River and Astoria River valleys. The north face of Mt. Edith Cavell can be seen after a short hike to the Cavell Meadows.

The Tonquin Valley trails are located about one kilometer before the Mt. Edith Cavell road end. the north end of Cavell Lake is located at a short distance down the gravel path, and a small bridge across a stream that flows to the lake. Scenic views of the Cavell Lake in the foreground and the Mt. Edith Cavell massif in the background can be seen from here.

George Washington, portrait by Gilbert Stuart

Public Domain Photo: Portrait of George Washington by Gilbert Stuart, an oil on canvas painting of dimention 73.5 cm x 61.1 cm. Full resolution of the photo:‎ 920x1101 pixels and size: 115 KB.

This portrait of the first President of the United States, George Washington (22 February 1732 to 14 December 1799), is based on the incomplete Antheneum portrait by the American portraitist Gilbert Stuart (1755-1828) completed by Rembrandt Peale (1778-1860). The image was taken from the copy maintained by the Sterling and Francine Clark Art Institute, Williamstown.

Bouguereau: The First Mourning - 1888

Public Domain Photo: The First Mourning (Premier Deuil), an oil on canvas painting of dimensions 203 cm x 252 cm (appx 80 x 99 inches) by French painter William Bouguereau, National Museum of Fine Arts in Buenos Aires.

The oil painting ‘The First Mourning’ (1888) is acclaimed to be one of the best paintings by the traditionalist French artist William-Adolphe Bouguereau (1825-1905), whose realist genre of creations and a host of other paintings depicting mythological and Biblical characters and scenes became very popular with the aristocracy and the rich art patrons of his times.

His interpretations of classical themes in a photo-realistic style were heavily influenced by the beauty of feminine human body. In later years, Bouguereau seemed to have been given much less appreciation compared to the Impressionists.

The theme of the painting features the moment when Adam and Eve found their son Abel, who was murdered by his elder brother Cain, whom some writers interpret literally as the son of the serpent (evil) in the Garden of Eden.

According to the Bible, it was the first death of a human being, and hence it is considered the first murder and ‘The First Mourning’ (the work is titled ‘Premier Deuil’ in French). Abel is also considered the first innocent victim and the first martyr while Cain is considered the first murderer by many writers.

The First Mourning is currently displayed at the Museo Nacional de Bellas Artes (National Museum of Fine Arts) in Buenos Aires, Argentina.

Statue of Shakira in Barranquilla, Colombia

Public Domain Photo: Statue of Shakira (Escultura de Shakira) in Barranquilla, Colombia.

The Colombian singer, musician, dancer, songwriter and record producer Shakira (born Shakira Isabel Mebarak Ripoll on February 2, 1977) emerged in the music scene of Colombia and Latin America in the early 1990s. Shakira is a multitalented artist with vocal ability in Rock and Roll, Latin American and Middle Eastern music and dance influences, marked by her own original version of Belly Dance. She was born and raised in Barranquilla in northern Colombia, where there is a huge following of music groups inspired by the musical style of Shakira.

Rembrandt: The abduction of Europa

Public Domain Image: The abduction of Europa, known by alternate title: De roof van Europa (Ovidius, Metamorphosen II, 833-875), oil on oak panel painting (1632) by the Dutch painter and etcher Rembrandt van Rijn (1606-1669), dimensions 62.2 cm x 77 cm (24.49 in x 30.31 in) located at The J. Paul Getty Museum (Los Angeles), one of the most visited museums in the United States.

Lovis Corinth: Ostern am Walchensee

Public Domain Image: Ostern am Walchensee (translated English title: Easter at Walchensee), oil on canvas landscape painting (1922) by the German painter Lovis Corinth (1858-1925), dimensions 57 cm x 75 cm, located currently at Sammlung Berend-Corinth, New York.

Drawings by Amedeo Modigliani

Public Domain Image: Dancer, drawing by Amedeo Modigliani, private collection.

Public Domain Image: Naakt (Nude), drawing by Amedeo Modigliani, private collection.

Public Domain Image: Anna Akhmatova (1911), pencil on paper drawing by by Amedeo Modigliani, located at Apartment-Museum of Anna Akhmatova, St. Petersburg, Russia.
Anna Akhmatova, the pen name of the modernist Russian poetess Anna Andreyevna Gorenko (1889-1966), one of the most acclaimed female writers of Russia. Akhmatova's work ranges from short lyrical poems to intricate works such as Requiem (1935-40), her tragic masterpiece about the Stalinist terror. Her work was censored by Stalinist authorities. She is also noted for choosing to remain in Russia, acting as a witness to the atrocities around her.
In 1910, Anna Akhmatova married the poet and critic Nicolai Gumilev (1886-1921) and the couple spent the spring of 1910 on their honeymoon in Paris, where Anna met the Italian painter Amedeo Modigliani (1884-1920). She fell in love with Modigliani and spent the summer of 1911 with him in Paris. Her first book of lyrical poems, Evening (1912), reflects the influence of this love affair.

Giovanni Battista Tiepolo: Vision des heiligen Clemens

Public Domain Image: Vision des heiligen Clemens (1730-1735), title translated as ‘Vision of St. Clement’, oil on canvas painting by Giovanni Battista Tiepolo (1696-1770), dimensions 69 cm x 55 cm, located at the National Gallery, Trafalgar Square, London.

Christ the Redeemer (Cristo Redentor), Rio de Janeiro, Brazil

Public Domain Photos: Christ the Redeemer (Cristo Redentor), the statue of Jesus Christ in Rio de Janeiro, Brazil - the second largest Art Deco statue in the world and one of the New Seven Wonders of the World. These photos were taken between 2005 and 2009 released as public domain photos by the respective photographers. Click on the photos to view the original sizes/resolution and save to your hard disks for use in your website, blog, etc.

Christ the Redeemer (Cristo Redentor), the statue of Jesus Christ in Rio de Janeiro, Brazil, constructed between 1922 and 1931, is considered the second largest Art Deco statue in the world. Visible from a distance of 20 miles, the statue is 39.6 meters (130 ft) tall and 30 meters (98 ft) wide, weighing 635 tons. It is atop the peak of the 700-metre (2,300 ft) Corcovado Mountain in the Tijuca Forest National Park, overlooking Rio de Janeiro.

Christ the King (Pomnik Chrystusa Króla), the statue of Jesus Christ in Świebodzin, Poland, completed on 6 November 2010 (is 33 meters (108 ft) tall (171 feet/ 52 meters with the mound) weighing 440 tons, is claimed to be the tallest statue of Jesus in the world.

The idea for the statue was first suggested in the mid-1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build it, but the idea was dismissed in 1889, when Brazil became an independent republic. The second proposal was made in 1921 by the Catholic Circle of Rio that organized an event called Semana do Monumento to attract donations that came mostly from Brazilian Catholics.

The Brazilian engineer Heitor da Silva Costa designed the statue and it was sculpted by French sculptor Paul-Maximilien Landowski. A group of engineers, architects and technicians who studied Landowski's submissions, decided to construct the statue out of reinforced concrete with the outer layers made of soapstone, designed by Albert Caquot. The Construction took nine years (1922-1931) and cost the equivalent of US$250,000 (approximately US$3.5 million in 2009). The monument was opened to the public on October 12, 1931.

In October 2006, on Christ the Redeemer’s 75th anniversary, Archbishop of Rio Cardinal Eusebio Oscar Scheid consecrated a chapel (under the statue), named after Nossa Senhora Aparecida, the patron saint of Brazil (Our Lady of the Apparition).

Christ the Redeemer was struck by lightning during a violent electrical storm on Sunday, February 10, 2008, causing some damages on the fingers, head and eyebrows, but the damages were repaired by the Rio de Janeiro State Government and the archdiocese.

Christ the Redeemer underwent restoration work in 1980, 1990, 2003 and early 2010. Maintenance work is needed periodically due to the strong winds and heavy rains to which the statue is exposed. In 2003, a set of escalators, walkways and elevators were installed to facilitate access to the platform surrounding the statue.

On 7 July 2007, Christ the Redeemer was named one of the New Seven Wonders of the World in a list compiled by the Swiss-based The New Open World Corporation (second in their list). The other New Seven Wonders of the World are Chichen Itza (#1), a large pre-Columbian archaeological site in Yucatán Peninsula (Mexico), The Colosseum (#3) or the Coliseum, the Flavian Amphitheatre in Rome (Italy), The Great Wall of China (#4) in northern China, consisting of several walls built since the 5th century BC, Machu Picchu or Machu Pikchu (#5), a pre-Columbian 15th-century Inca site, on a mountain ridge above the Urubamba Valley in Peru, Petra (#6), a historical and archaeological city established around the 6th century BC on the slope of Mount Hor (Jordan), and The Taj Mahal (#7), a mausoleum in Agra, India.

Life and works of Władysław Podkowiński

Public Domain Image: Self-portrait (1887), oil on canvas painting by Władysław Podkowiński, dimensions 55 cm x 45 cm (21.65 in x 17.72 in), located at Muzeum Śląskie, Katowice in Silesia in southern Poland.

Public Domain Image: Szał uniesień (Ecstasy), oil on canvas painting (1894) by Polish painter Władysław Podkowiński (1866-1895), dimensions 275 cm x 310 cm (108.27 in x 122.05 in) currently located at Sukiennice Museum (aka Gallery of 19th-Century Polish Art at Sukiennice), a division of the National Museum, Kraków, Poland.

Szał uniesień (titled in English as‘Ecstasy’ or ‘Frenzy of Exultations’, also known as ‘La Folie’ or ‘Ekstase’) is the best known painting of Władysław Podkowiński, and which is considered the first work of symbolism in Polish art, which was exhibited in Zachęta in an atmosphere of scandal, and in 1894 it was featured in a Warsaw art exhibition. However, the art exhibition lasted only 36 days because Podkowinski brought a knife on the 37th day and destroyed his work. The painting was later restored after the death of Podkowiński.

Public Domain Image: Akt (Nude) painting (1892) by Władysław Podkowiński

Władysław Podkowinski (1866-1895) was a Polish painter and illustrator. Podkowiński began his artistic training at Wojciech Gerson's drawing school, the Warsaw Academy of Arts, at which he studied from 1880 to1884. After leaving the school, Podkowinski contributed his art to many of the leading art journals in Warsaw. In 1885 along with Josef Pankiewicz, he travelled to the St. Petersburg Fine Arts Academy where he studied from 1885 to 1886. After returning from St. Petersburg in 1886, Podkowiński started his career as an illustrator for Tygodnik Ilustrowany where he became one its most renowned artists.

Władysław Podkowiński’s earliest works comprising watercolor and oil paintings were created during this time, but Podkowiński still considered his art as a hobby, and not a professional endeavor. His early paintings were mainly influenced by Ignacy Aleksander Gierymski (1850-1901), another Polish painter of the late 19th century.

Władysław Podkowiński embraced painting as a profession in 1889, after a trip to Paris where he was profoundly influenced by French Impressionist painters, particularly Claude Monet. Podkowiński’s impressionist works were highly appreciated, and later he was credited for bringing the Impressionist movement to Poland, and many art historians and writers consider him as the founder of Polish Impressionism. But towards the end of his life, his personal life experiences, including an incurable disease of those times, inclined him to shift towards Symbolism. Władysław Podkowiński died of tuberculosis in Warsaw at the young age of 29, which cut short a very promising career, and of course, it was a great loss to the lovers of art.